• Home
  • Thomas Cahill
  • The Gifts of the Jews: How a Tribe of Desert Nomads Changed the Way Everyone Thinks and Feels

The Gifts of the Jews: How a Tribe of Desert Nomads Changed the Way Everyone Thinks and Feels Read online




  PUBLISHED BY NAN A. TALESE / ANCHOR BOOKS

  imprints of Doubleday

  a division of Random House, Inc.

  1540 Broadway, New York, New York 10036

  ANCHOR BOOKS and DOUBLEDAY are trademarks of doubleday, a division of Random House, Inc.

  This page constitutes an extension of this copyright page.

  Book design by Marysarah Quinn

  Maps by Jackie Aher

  The Library of Congress has cataloged the hardcover edition of this book as follows:

  Cahill, Thomas.

  The Gifts of the Jews: how a tribe of desert nomads changed the way everyone thinks and feels / Thomas Cahill.

  p. cm. — (The hinges of history: vol. 2)

  Includes bibliographical references and index.

  1. Judaism—History—To 70 A.D. 2. Jews—History—To 70 A.D. 3. Bible. O.T.—History of Biblical events. 4. Civilization—Jewish influences. I. Title. II. Series: Cahill, Thomas. Hinges of history: vol. 2.

  BM165.C25 1998

  909′.04924—DC21 97-45139

  CIP

  eISBN: 978-0-307-75511-7

  Copyright © 1998 by Thomas Cahill

  All Rights Reserved

  First Nan A. Talese/Anchor Books

  Paperback Edition: September 1999

  v3.1

  A caravan of Semitic traders of the patriarchal period, painted by an Egyptian artist for a tomb at Beni-hasan c. 1900 B.C.

  A caravan of Semitic traders of the patriarchal period, painted by an Egyptian artist for a tomb at Beni-hasan c. 1900 B.C. The figure leading the procession (just after the two Egyptian officials pictured at right) wears a “coat of many colors,” as does Joseph in the Book of Genesis.

  TO KRISTIN

  How but in custom and in ceremony

  Are innocence and beauty born?

  Ceremony’s a name for the rich horn,

  And custom for the spreading laurel tree.

  Everything an Indian does is in a circle, and that is because the power of the world always works in circles, and everything tries to be round. In the old days when we were a strong and happy people, all our power came to us from the sacred hoop of the nation.… Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a man is a circle from childhood to childhood and so it is in everything where power moves.

  —BLACK ELK

  Unless there is

  a new mind there cannot be a new

  line, the old will go on

  repeating itself with recurring

  deadliness: without invention

  nothing lies under the witch-hazel

  bush.

  —WILLIAM CARLOS WILLIAMS

  CONTENTS

  Cover

  Title Page

  Copyright

  Dedication

  Epigraph

  INTRODUCTION:

  The Jews Are It

  I. THE TEMPLE IN THE MOONLIGHT:

  The Primeval Religious Experience

  II. THE JOURNEY IN THE DARK:

  The Unaccountable Innovation

  III. EGYPT:

  From Slavery to Freedom

  IV. SINAI:

  From Death to Life

  V. CANAAN:

  From Tribe to Nation

  VI. BABYLON:

  From Many to One

  VII. FROM THEN TILL NOW:

  The Jews Are Still It

  Notes and Sources

  The Books of the Hebrew Bible

  Chronology

  Acknowledgments

  Index of Biblical Citations

  General Index

  About the Author

  Acclaim for The Gifts of the Jews

  The Hinges of History

  Other Books by This Author

  INTRODUCTION

  The Jews Are It

  The Jews started it all—and by “it” I mean so many of the things we care about, the underlying values that make all of us, Jew and gentile, believer and atheist, tick. Without the Jews, we would see the world through different eyes, hear with different ears, even feel with different feelings. And not only would our sensorium, the screen through which we receive the world, be different: we would think with a different mind, interpret all our experience differently, draw different conclusions from the things that befall us. And we would set a different course for our lives.

  By “we” I mean the usual “we” of late-twentieth-century writing: the people of the Western world, whose peculiar but vital mentality has come to infect every culture on earth, so that, in a startlingly precise sense, all humanity is now willy-nilly caught up in this “we.” For better or worse, the role of the West in humanity’s history is singular. Because of this, the role of the Jews, the inventors of Western culture, is also singular: there is simply no one else remotely like them; theirs is a unique vocation. Indeed, as we shall see, the very idea of vocation, of a personal destiny, is a Jewish idea.

  Our history is replete with examples of those who have refused to see what the Jews are really about, who—through intellectual blindness, racial chauvinism, xenophobia, or just plain evil—have been unable to give this oddball tribe, this raggle-taggle band, this race of wanderers who are the progenitors of the Western world, their due. Indeed, at the end of this bloodiest of centuries, we can all too easily look back on scenes of unthinkable horror perpetrated by those who would do anything rather than give the Jews their due.

  But I must ask my readers to erase from their minds not only the horrors of history—modern, medieval, and ancient—but (so far as one can) the very notion of history itself. More especially, we must erase from our minds all the suppositions on which our world is built—the whole intricate edifice of actions and ideas that are our intellectual and emotional patrimony. We must reimagine ourselves in the form of humanity that lived and moved on this planet before the first word of the Bible was written down, before it was spoken, before it was even dreamed.

  What a bizarre phenomenon the first human mutants must have appeared upon the earth. Like their primate progenitors, they were long-limbed and rangy, but, with unimpressive muscles and without significant fur or claws, confined to the protection of trees, save when they would tentatively essay the floor of the savannah—hoping to obtain food without becoming food. With their small mouths and underdeveloped teeth, their unnaturally large heads (like the heads of primate infants), they were forced back on their wits. Their young remained helpless for years, well past the infancy of other mammals, requiring from their parents long years of vigilance and extensive tutelage in many things. Without planning and forethought, without in fact the development of complex strategies, these mutants could not hope to survive at all.

  But if we make use of what hints remain in the prehistorical and protohistorical “record,” we must come to the unexpected conclusion that their inventions and discoveries, made in aid of their survival and prosperity—tools and fire, then agriculture and beasts of burden, then irrigation and the wheel—did not seem to them innovations. These were gifts from beyond the world, somehow part of the Eternal. All evidence points to there having been, in the earliest religious thought, a vision of the cosmos that was profoundly cyclical. The assumptions that early man made about the world were, in all their essentials, little different from the assumptions that later and more sophisticated societies, like Greece and India, would make in a more elaborate manner. As Henri-Charles Puech says of Greek thought in his seminal Ma
n and Time: “No event is unique, nothing is enacted but once …; every event has been enacted, is enacted, and will be enacted perpetually; the same individuals have appeared, appear, and will appear at every turn of the circle.”

  The Jews were the first people to break out of this circle, to find a new way of thinking and experiencing, a new way of understanding and feeling the world, so much so that it may be said with some justice that theirs is the only new idea that human beings have ever had. But their worldview has become so much a part of us that at this point it might as well have been written into our cells as a genetic code. We find it so impossible to shed—even for a brief experiment—that it is now the cosmic vision of all other peoples that appears to us exotic and strange.

  The Bible is the record par excellence of the Jewish religious experience, an experience that remains fresh and even shocking when it is read against the myths of other ancient literatures. The word bible comes from the Greek plural form biblia, meaning “books.” And though the Bible is rightly considered the book of the Western world—its foundation document—it is actually a collection of books, a various library written almost entirely in Hebrew over the course of a thousand years.

  We have scant evidence concerning the early development of Hebrew, one of a score of Semitic tongues that arose in the Middle East during a period that began sometime before the start of the second millennium B.C.1—how long before we do not know. Some of these tongues, such as Akkadian, found literary expression fairly early, but there is no reliable record of written Hebrew before the tenth century B.C.—that is, till well after the resettlement of the Israelites in Canaan following their escape from Egypt under the leadership of Moses, the greatest of all proto-Jewish figures. This means that the supposedly historical stories of at least the first books of the Bible were preserved originally not as written texts but as oral tradition. So, from the wanderings of Abraham in Canaan through the liberation from Egypt wrought by Moses to the Israelite resettlement of Canaan under Joshua, what we are reading are oral tales, collected and edited for the first (but not the last) time in the tenth century during and after the kingship of David. But the full collection of texts that make up the Bible (short of the Greek New Testament, which would not be appended till the first century of our era) did not exist in its current form till well after the Babylonian Captivity of the Jews—that is, till sometime after 538 B.C. The last books to be taken into the canon of the Hebrew Bible probably belong to the third and second centuries B.C., these being Esther and Ecclesiastes (third century) and Daniel (second century). Some apocryphal books, such as Judith and the Wisdom of Solomon, are as late as the first century.

  To most readers today, the Bible is a confusing hodgepodge; and those who take up the daunting task of reading it from cover to cover seldom maintain their resolve beyond a book or two. Though the Bible is full of literature’s two great themes, love and death (as well as its exciting caricatures, sex and violence), it is also full of tedious ritual prescriptions and interminable battles. More than anything, because the Bible is the product of so many hands over so many ages, it is full of confusion for the modern reader who attempts to decode what it might be about.

  But to understand ourselves—and the identity we carry so effortlessly that most “moderns” no longer give any thought to the origins of attitudes we have come to take as natural and self-evident—we must return to this great document, the cornerstone of Western civilization. My purpose is not to write an introduction to the Bible, still less to Judaism, but to discover in this unique culture of the Word some essential thread that runs through it, to uncover in outline the sensibility that undergirds the whole structure, and to identify the still-living sources of our Western heritage for contemporary readers, whatever color of the belief-unbelief spectrum they may inhabit.

  To appreciate the Bible properly, we cannot begin with it. All definitions must limit or set boundaries, must show what the thing-to-be-defined is not. So we begin before the Bible, before the Jews, before Abraham—in the time when reality seemed to be a great circle, closed and predictable in its revolutions. We return to the world of the Wheel.

  1 Recently, the designations B.C.E. (before the common era) and C.E. (common era), used originally in Jewish circles to avoid the Christian references contained in the designations B.C. (before Christ) and A.D. (anno domini, in the year of the Lord), have gained somewhat wider currency I use B.C. and A.D. not to cause offense to anyone but because the new designations, still largely unrecognized outside scholarly circles, can unnecessarily disorient the common reader.

  ONE

  THE TEMPLE IN THE MOONLIGHT

  The Primeval Religious Experience

  Somewhat more than five millennia ago, a human hand first carved a written word, and so initiated history, mankind’s recorded story. This happened in Sumer, probably in a warehouse of Uruk, perhaps the earliest human habitation to deserve the name of “city,” massed along the Euphrates River in ancient Mesopotamia—modern Warka in present-day Iraq. The written word was an invention born of necessity: how else were the Sumerians to keep their accounts straight? The novel agglomeration of human beings and their possessions into a city such as Uruk—a mind-defeating jumble of temples, dwellings, storerooms, and alleyways, an agglomeration soon to be imitated throughout the ancient world—cried out for a new way of counting shipments and recalling transactions, for a man’s memory was no longer sufficient to encompass such immensities. The human mind wearied before the task, growing resistant and uncooperative—and, at last, alarmingly error-prone—but human ingenuity proposed a damnably clever solution: enduring written symbols to replace fallible human memory.

  This innovation, which would change forever the course of the human story, making possible fantastic feats of information storage and retrieval and wholly new forms of communication, both interpersonal and corporate, had been prepared for by other innovations that had preceded it over the long centuries of the Sumerians’ trial-and-error ascent to urbanization. The invention of agriculture—the discovery that one need not wait upon the bounty of nature but can organize that bounty more or less predictably through the seasonal planting of seed—had greatly lessened man’s reliance on the uncertain harvests of hunting and gathering and had made possible the first settled communities, organized around a dependable grain supply. The domestication of flocks and herds for predictable yields of eggs, milk, flesh, leather, and wool soon followed (or may even have occurred earlier). The invention of the hoe and the further invention of the plow—which probably occurred when some lazy but sly farmer thought to tie his hoe to a rope hitched to the horn of an ox, thus giving himself considerably more muscle power through the ox’s strength and enabling him to farm a far larger territory—went a long way toward creating stable farming communities throughout the Fertile Crescent, that great arch of watered land stretching north from the Tigris-Euphrates plain, turning south through the Jordan valley, and ending at the Sinai. Someone’s brilliant idea to dig trenches (and then to fashion canals and reservoirs) so that river water could run controllably from higher embankments to lower fields meant that the farmer no longer had to wait for the uncertain rains of the Middle East but could now farm fields he would once have looked on as useless. This technique, refined to exquisite perfection over many centuries, would at last make possible along the broad steppes of the Tigris-Euphrates plain the Hanging Gardens of Babylon (Babylonia being the direct successor to Sumer), that stupendous wonder of the world, a detailed description of which became the favorite party piece of ancient tourists, thus enabling them to bore their friends to death long before the invention of photography.

  Then, the period just before the invention of written language saw in Sumer an explosion of technological creativity on a scale that would not be matched till the nineteenth and twentieth centuries of our era. For this period witnessed not only the sudden expansion of farming communities with their growing inventory of agricultural and pastoral innovations, but whee
led transport, sailing ships, metallurgy, and wheel-turned, oven-baked pottery—all appearing, as it were, within weeks of one another. The Sumerians were the first to hit upon the methods of construction that enable human beings to go beyond the simpler feat of providing comfortable shelter for themselves and to erect vastly impressive, even overwhelming enclosures for business and ritual: monumental stone sculpture, engraving, and inlay, the brick mold, the arch, the vault, and the dome all first came to light under the dazzling Sumerian sun. Cumulatively, this unique series of creations made possible for the first time ecumenical trading and, thence, great concentrations of people and possessions and, particularly, the gigantic storage facilities that would encourage our unknown inventor to dream up writing.

  By the time the first word was incised on a small clay tablet (which would for many centuries remain the common medium of record), Sumer had risen to dominate all Mesopotamia and had strong trading links and occasionally even political suzerainty as far away as the Nile valley in northern Africa and the Indus valley in the Far East. To the ever-circling vultures, who no doubt took a dim view of civilization and its unfortunate paucity of easy victims, Sumer appeared a collection of some twenty-five city-states, remarkably uniform in culture and organization. But to the human hordes of Amorites—Semitic nomads wandering the mountains and deserts just beyond the pale of Sumer—the tiered and clustered cities, strung out along the green banks of the meandering Euphrates like a giant’s necklace of polished stone, seemed shining things, each surmounted by a wondrous temple and ziggurat dedicated to the city’s god-protector, each city noted for some specialty—all invidious reminders of what the nomads did not possess.